A lump of coal in your Christmas stocking

Letter to Joe Manchin

Wouldn't you like that though. You've made plenty from coal and another lump couldn't hurt. But consider the majority of Americans who want to stop climate change. We can't stop it until we move away from fossil fuels, and you've opposed taking meaningful action. Do you consider your opposition patriotic? I don't, though I suppose oil and coal industry executives probably do. But they are blinded by their insatiable greed. Greed that makes it okay to spend five decades misleading the public while fully aware of the damage they did to the environment. Five decades ago I walked away from my high school peers in order to avoid the drugs they used. Walk away from your unwholesome peers, Joe. Greed is a drug. It fools those who have too much into thinking they can ignore social responsibilities and not pay their fair share of taxes. Greed lets them think they can destroy their neighbors' yards without harming their own. I suspect that you, too, are addicted to greed. Just say "no" to drugs, Joe, and fix our society and environment now. Our problems can't be kicked down the road any longer. Don't listen to the siren call of lobbyists lest the ship of state shatter upon the rocks of Anthemoessa. Listen to the majority instead.

Don't believe plastic people

When Frank Zappa sang that plastic people were a drag, he meant something other than what I mean. He meant that superficial people, unlike more independent thinkers, are dull, time-wasting companions.

Plastics come from petrochemicals, made from oil. On September 30, a New York Times headline said, “In Your Facebook Feed: Oil Industry Pushback Against Biden Climate Plans”. No surprise. For decades, this industry denied climate change while lobbying for subsidies and tax breaks. As Jane Mayer writes, people in this industry began the long drive to move American politics to the right. Those first antisocialists were soon joined by corporate executives and other wealthy folk. Now they are all plastic people.

Before the 1980s, corporate messaging showed concern with the welfare of all corporate stakeholders — customers, workers, stockholders — and for the general public for whom corporations tirelessly worked. But then  business philosophy changed and corporations became concerned only with maximising stockholder value. Traces of the messaging remain. For example: corporate tax hikes will harm American workers. Untrue. It’s only stockholders who lose from taxes on profits. Workers who are also stockholders could suffer from higher corporate taxes, but most of these already receive high wages. Average workers would feel no different. The majority of Americans favor raising taxes on corporations. However many of these work for the same corporations that lobby against tax increases.  Corporations are “persons” according to the Supreme Court. It is assumed that these “persons” speak for their employees. And so they are allowed to spend grandly to promote their ideas, even when those ideas don’t sync with what employees want and need.

Corporations speak louder than individual voters. They buy voters’ political views with suave talk and false promises. Climate change is real but plastic people won’t pay extra taxes to address its effects. Plastic people choose wealth over wellbeing. That hurts everyone, even plastic people. Plastic people, though few, speak loudly. The majority must make itself heard. Speak up.

Hoorah for the filibusters

 

"Show, don't tell," is the advice heard by many would-be fiction writers. That advice often works for contemporary fiction. As times have changed, so have writing conventions. In "Captain Blood", Rafael Sabatini tells first, then shows. While Sabatini occasionally shows by describing a character's eyes dilating or her face flushing, it's not his primary technique. Rather, he describes the character's motivating emotions, then shows how those emotions affect subsequent actions. The technique works well in this action novel. Although this novel was written about 100 years ago, its language is fresh rather than archaic. Contemporary writers can benefit from reading old writers instead of just following contemporary advice. Stories can be told through a variety of techniques.

This book grabbed me in its first paragraph and held me until its end. The plot is intricate and anchored by two actual historical events. I won't spill any spoilers. If you want to know how respectable Dr. Peter Blood becomes a notorious pirate, or how love restrains bloodstained hands, you'll have to read the book.