Touring the stars with Myron and friends

Ports of Call
Jack Vance
Fiction 300 pages
Tor, 1998

Lurulu
Jack Vance
Fiction 204 pages
Tor, 2004

Myron Tany longs to visit other worlds. When the opportunity arrives at last, he readily agrees to captain his great-aunt’s space yacht. When she strands him on Dimmick, he demonstrates the resourcefulness typical of Jack Vance heroes—he joins the crew of a space freighter.

Now Myron begins the series of minor adventures that fill out Ports of Call and its sequel Lurulu. While some Vance stories are filled with adventure and danger, others are closer to a P. G. Wodehouse’s comedy of manners. This story is one of those.

Although Myron Tany is the central character, the books are not entirely about his doings. Their episodes also involve the ship’s crew members and its passengers. In the end, two themes emerge: 1) lurulu, an undefinable state of self-realization and contentment, and 2) the friendship of the freighter’s four crew members.

When Vance wrote these stories, he was well into his older years and had already lost his eyesight. The two books are uniquely Vance, however their characters are not the plucky heroes of earlier Vance novels. Myron is unexciting and conventional, yet displays enough wanderlust to join a ship’s crew. The other crewmembers are neither dashing nor daring, except perhaps Fay Schwatzendale, who compensates for his good looks with his cautious and skeptical manner.

Vance, himself, spent time on freighters. And while his freighters plied the seas, rather than the stars, Vance experienced his share of distant customs and vistas. He lived and wrote abroad with his wife during various periods. Some of the exotic customs which make their way into Vance’s fiction may be parodies of customs he encountered abroad. In his autobiography, Vance describes of a port in Chile where the strict enforcement of laws parallels their enforcement on one of Lurulu’s worlds. In many of his novels, Vance tells the story through a single perspective. Here he employs the perspectives of multiple characters of varying ages. These are books to be sipped rather than gulped.

The two women who play important parts in these books include Myron’s great aunt and the captain’s mother. Aunt Hester is depicted as vindictive and vain, while the captain’s mother is frivolous, vain, and senile. Both refuse to let go of their youth, and one wonders if they may have been modeled after some of Vance’s contemporary female acquaintances.  Another elderly character, Moncrief, is a showman who manages to muster enough of youth’s second wind to hold his troupe together.  Unlike the captain’s mother, or Aunt Hestor, Moncrief demonstrates the possibility of aging with dignity.

Amazon – It’s a jungle out there

The Martian Chronicles

Ray Bradbury

Fiction 256 pages

Simon & Schuster; Reprint edition. 2012

Out of curiosity, I looked up Ray Bradbury’s, “The Martian Chronicles” on Amazon. I read it as a child and enjoyed it immensely. However, even then, I could spot Bradbury’s inconsistencies and deviations from his basic milieu. Still, there are those who consider it a classic, so I looked.

This book, published in 1950, includes stories published during the later portion of the 1940s. That explains the inconsistencies—Bradbury didn’t set out to write a book. It emerged from his stories. Actually, that’s part of its charm. The Mars in one story isn’t quite the same as the Mars in another. And, there’s no great effort to be scientific. That’s not what Bradbury is about.

The book has 391 reviews and well over half of those display five stars. However, I was more interested in the nine one star reviews and perhaps a few of the twos. Two of the one star reviews, and at least five of the two star reviews, were written by A Customer—amazingly all on the same day. It makes one wonder how many Amazon accounts A Customer has, or perhaps multiple people use that handle and write reviews at the same time.

Two of the reviewers found Bradbury’s language graphic and/or offensive. At least three reviewers found the book dull. One called it far-fetched and another said it was the “worst non-fiction book i ever read.” Did he mean to write science fiction?

After reading some of the reviews, I’ve come to several conclusions: 1) some people don’t proofread, 2) some people are offended by 1950s era profanity, 3) some people found the book dull. Regarding the second two conclusions, I further conclude: 1) some people don’t see many movies, at least not those without G ratings, and 2) if you prefer science fiction with more special effects, you should probably stick to movies.

Before Amazon, books didn’t get 391reviews. That’s because there were only a handful of people with literary credentials available to write them. Now you don’t need literary credentials to write a review. There’s been a revolution and the people have taken the power from the critics. There are good aspects to the democratization of opinion. However, without experts to tell us what to like, we may sink to the depths of bad taste. Therefore, we still need literary critics, unless something high-minded emerges to take their place. Luckily, civilization generally survives temporary lapses of good taste.

Among its advantages, Amazon, provides a path to publishing that some authors would not otherwise have. It also provides a platform for hacks and lack wits. Still, there are some self-published gems out there. There are also thousands of me-too opinions, uneducated opinions, and trolls lurking about. In fact, it’s a jungle—so one must tread carefully. In time, the jungle will become more manageable. Let’s just hope it isn’t destroyed in the process.

Strange Bedfellows

Bedbugs (Can you see them?)
L. A. Taylor
Fiction 214 pages
CreateSpace Independent Publishing Platform, 2012

The Kindle version of this book is free from Amazon today and I downloaded it. Generally, I don’t read horror genre books, not even if they’re also science fiction. And, this book is truly horrendous. A mere two percent of the way in, Tommy gets eaten alive by a swarm of alien insects while lying paralyzed in bed. After Tommy watches the entire gruesome event through his six-year-old eyes, the author informs us that Tommy “died instantly.”

It takes his father somewhat longer to discover that his son is dead. Rather than taking a good look, he mucks about puzzling over why his son’s eyes are open and he doesn’t move. Then he picks up a bit of gore and shows it to his wife. At this point, I stopped reading. However if you wish to know more about the book, the description on Amazon pretty much spills the beans.

Although I won’t finish reading it, I know my favorite part—the cover. Dean Cook did a splendid job with his retro pulp cover illustration.

As mentioned, I don’t read horror, so why did I download this book? I couldn’t help myself. Who can resist the idea of killer bedbugs? And, how could I not think up a bunch of rude innuendos about such strange bedfellows? For example …

Also, anyone who knows anything about bedbugs knows what horrors the little beasties are. Often the only evidence that you have them are huge allergic rashes on your limbs. Try to find them with a flashlight, or a black light (they fluoresce), and you seek in vain. In fact, you won’t see any evidence of the things until they’re a major infestation. At that point, the only way to be rid of them is to burn down your house. And, their sexual habits? Disgusting. Did you know that the male impregnates the female by sticking his bloodsucker in her belly and injecting her with love juice? Yes, it’s true. Look it up.

Instant Karma

The Tea Goddess
Dekker Dreyer
Fiction 156 pages
Fringe Majority LLC. 2010

Kai and Ceire died before revealing their secret. A generation later, the Tea Goddess sends Remy a book—a book that profoundly affects his future. Soon he’s running for his life without knowing why.

Soon he’ll learn about his karmic debt and will need to repay it. But in order to do that, he’ll need to survive.

In this brief novel, few words are wasted. It takes off like a shot and races to its conclusion with just enough character development and world creation to make it believable. Personal dilemmas and violent action keep the tension high until the end. That end brings peace to several of the characters, but torment to another.

The book length of 156 pages is somewhat misleading since there’s a lot of white space throughout (I read the Kindle edition). Although not necessary, readers will take a bit more from this book if they have some familiarity with Chinese Buddhism.

Train your family

If you’re seeking an activity that kids and grown-ups can enjoy together, Golden’s Colorado Railroad Museum is the place to go. Its main building features a reconstructed telegraph office, artifacts and photographs. Small children are enthralled by the working HO scale railroad layout in the basement.

Stretch your legs on the 15 acre grounds where railroad engines, cars and equipment are displayed. While you’re there, enjoy the garden railroad.

The museum is located at 17155 W. 44th Avenue in Golden, Colorado. Special pricing is available for family admissions. Children under two are free. Phone the museum at (303) 279-4591 or (800) 365-6263

Well, duh

How to Write Science Fiction & Fantasy
Orson Scott Card
Non-fiction 140 pages
Writer's Digest Books, 2001

 Ever read something so obvious that you go, “Well, duh?” Maybe you reacted that way because the information was so right, so intuitive, and so self-evident that you thought you already knew it. Perhaps you did, or perhaps the information arrived so naturally that you failed to realize you received a lesson. That’s how this book works.

Card begins with an explanation of what constitutes science fiction or fantasy, and the differences between the two genres. On the surface, it seems obvious, but there’s more to it when you look a little deeper. Readers may not care what genre they’re reading, but it’s important for authors to know what genre they’re writing. This is especially true now that mixed genres are becoming popular. However, mixing genres is not the same as muddling genres. Muddling results in genre pollution. For example, I can’t think of anything vaguely scientific about zombies, yet there they are muddling up the science fiction genre.

Authors also need to know the difference between genres in order to set, and follow, the rules pertaining to the worlds they create and write about. Knowing how starships travel, or how magic is worked, brings credibility to stories, even if the information is never mentioned in the story. This principal applies to other elements of a story as well. When an author knows his character’s background, the history of the story’s milieu, etc., then his story is more believable, even if this information is not shared with readers.

There are four story types, Card maintains. These are: milieu, idea, character, and event types. Authors need to know the differences between each type, and must be certain that the type they start a story with, is the same as the type with which it ends. Otherwise readers are baffled and disappointed.
Story worlds should be built with exposition techniques that don’t interrupt story action. Card uses another author’s story to explain how effective and unobtrusive exposition is accomplished.

The final quarter of the book addresses a writer’s lifestyle and business practices. Although Card offers good advice, similar advice is available in other writing how-to books. Some of the information is outdated and fails to address the rapid changes occurring in the publishing industry. But don’t let that stop you from reading an otherwise excellent book.