Thursday, February 06, 2014

Talking Head

Andrew’s Brain
E. L Doctorow
Fiction 200 pages
New York. Random House. 2014

Who is Andrew? In the beginning, the narrator calls him “my friend Andrew, the cognitive scientist.” But it doesn’t take long before the reader realizes that Andrew himself is telling the story. Another man is asking him questions, apparently a psychiatrist. Andrew is baiting him, attempting to catch his attention by telling him he hears voices.

Andrew tells his psychiatrist a good deal more as well, occasionally reprimanding the doctor’s ignorance and naiveté. Apparently, Andrew is well educated, and perhaps a good bit older than the psychiatrist. Yet Andrew is flawed. As a child, he caused a fatal accident. As an adult, he fatally over-medicates his baby. Although his second wife’s death is not his fault, he seems to accept the blame for the event.

Like other books by E. L. Doctorow, “Andrew’s Brain” is a historical novel. Its history is contemporary, and its historical figures are implied rather than named. Andrew is a scientific man in a world governed by archaic ideas and values. When he delivers his message to authority, it is ill received.

His message is to stop pretending to be what we are not. We have minds, but not souls and we are less important than we think we are.

Andrew defends his pessimism through the cognitive science he teaches, “If consciousness exists without the world, it is nothing, and if it needs the world to exist, it is still nothing.” But when he falls in love, Andrew’s pessimism is replaced with joy. Andrew isn't merely a scientist who views brains as machines; he’s also a romantic idealist. Doctorow gives us a full picture of Andrew, complex and self-contradicting.
The book is witty, well-written, and delivers a few surprises. One of Doctorow’s best. 

Tuesday, November 26, 2013

Space Jockey


Space Jockey (Science Fiction Short Stories)
Tara Maya, editor, multiple authors
Fiction 315 pages (estimated for Kindle)
Misque Press. 2013

As the title implies, each of these stories involves piloting a spacecraft. However, there the similarity ends. One craft is barely large enough to support a crew of two while several others have remote pilots. Just as the book supplies spacecraft in a diverse variety, it does the same with story plots.

Many of the stories deal with warfare, and some deal with military versus non-violent solutions. One such is Tara Maya's "Food, Peace, Power". In this story, two determined men, a military leader and a civilian pacifist engage in a contest of will and wits. You can't read this story without respecting both men, their differing viewpoints and their conflict resolution styles.

Philip K. Dick's "Mr. Spaceship" takes a different view of warfare. His protagonist views war as a bad habit acquired by humanity and never out grown. His solution involves a radical approach and a fresh start.

In her story, "Semper Audacia", M. Pax presents warfare at its grittiest. Leda is the lone survivor of her brigade and now her people depend on her to save their civilization. There's no room for hesitation or error, however Leda has ghosts her fallen companions' ghosts to guide her. Are the ghosts real or has Leda gone mad? This story packs action and suspense into a tight container.

Another strong female protagonist can be found in Ethan Rodgers' "Farsider". This tough pilot makes the best of her exile on Titan and finds comfort where she can.

Other stories in this collection address artificial Intelligence, quantum physics, quests to explore deep space, and the loss of one's humanity. There's quite a range of topics packed into one collection.

Friday, July 12, 2013

Best eBook version of the Nights

This post, originally written in winter 2013 is rewritten below in winter 2021.

In order to base stories on the Arabian Nights one must be somewhat familiar with them. I sought a complete translation, which ruled out a number of translations intended for children. Since it also had to be accessible, I decided to use Sir Richard Francis Burton’s translation.

Another criterion was that it had to be cheap. The Arabian Nights Entertainments is available from Project Gutenberg, however each volume of the work is a separate download. An edition available through Google Play does contain roundtrip hyperlinks. It also contains a short biography of Burton.  The MobileReference translation is a good online reference. It does not permit copying text. Most readers won’t care about this, but if they do, they can readily copy text from various internet sources.

The Kindle edition of Burton I used is no longer available on Amazon. If I were to begin again, I would go with the far costlier but far more entertaining versions by Malcolm and Ursula Lyons. Burton purposely used archaic language, thereby distancing his writing from his readers. Burton openly expressed adult sensibilities in Victorian society. It's his scandalous nature that first intrigued me.