Colorado School of Mines Geology Museum

They really know their geology at the Colorado School of Mines. And a tour of the Geology Museum proves it. Its two floors house a magnificent collection of mineral specimens, including a cluster of amethyst crystals, a clear quartz crystal, a topaz and an opal—each as big as your head. There are specimens of silver, copper, lead and gold ores as well, including one specimen of gold wire in matrix.

The view from the upstairs window looks out upon the Front Range. Watch the video to learn about its geological features. Alternatively, learn more about geology first hand by hiking the geological trail directly behind the museum. The trail features some of the fossils for which this area is known.

The ground floor of the museum features a model uranium mine, which includes a display of florescent minerals. There is also an exhibit on radioactivity, a collection of specimens found locally on Golden’s South Table Mountain, and a gift shop. Collectors will appreciate the gift shop’s variety of mineral specimens.

Visit the museum between 9:00 a.m. and 4:00 p.m. Monday through Saturday, or on Sunday between 1:00 pm and 4:00 p.m.

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Shiva Dances

This bronze Shiva, in the Denver Art Museum, had its origins in India in the 1100s during the Chola Dynasty. It depicts the god in his aspect of Nataraj or “Lord of Dance.” This representation of Shiva can be interpreted in several ways. According to one interpretation, Shiva is dancing the destruction of the universe. As his movements quicken, fire and earthquakes consume creation. The god Brahma then awakens and recreates the universe. Another interpretation is that Shiva dances to release men from illusion. Shiva’s right foot, planted in victory on a figure symbolizing human ignorance, represents his embodiment. His left foot, held aloft, represents release. His raised right hand holds a drum, which represents creation. His other right hand is held in a gesture meaning, “be not fearful.” One of his left hands holds fire, representing destruction. All activity within the universe—every birth, every death—originates from Shiva, and is signified by the arch of flames, which surrounds him. The lotus base represents the creative forces within the universe. Shiva dances to free men from illusion. The dance takes place at the center of the universe, which is also located within the human heart. References: Denver Art Museum exhibit notes "Nataraja." In the Encyclopædia Britannica 2006 Ultimate Reference Suite DVD 21. Encyclopædia Britannica, 2006. Subhamoy Das. Nataraj: The Dancing Shiva. About.com, http://hinduism.about.com/od/lordshiva/p/nataraj.htm (accessed August 22, 2009)

Touring the stars with Myron and friends

Ports of Call
Jack Vance
Fiction 300 pages
Tor, 1998

Lurulu
Jack Vance
Fiction 204 pages
Tor, 2004

Myron Tany longs to visit other worlds. When the opportunity arrives at last, he readily agrees to captain his great-aunt’s space yacht. When she strands him on Dimmick, he demonstrates the resourcefulness typical of Jack Vance heroes—he joins the crew of a space freighter.

Now Myron begins the series of minor adventures that fill out Ports of Call and its sequel Lurulu. While some Vance stories are filled with adventure and danger, others are closer to a P. G. Wodehouse’s comedy of manners. This story is one of those.

Although Myron Tany is the central character, the books are not entirely about his doings. Their episodes also involve the ship’s crew members and its passengers. In the end, two themes emerge: 1) lurulu, an undefinable state of self-realization and contentment, and 2) the friendship of the freighter’s four crew members.

When Vance wrote these stories, he was well into his older years and had already lost his eyesight. The two books are uniquely Vance, however their characters are not the plucky heroes of earlier Vance novels. Myron is unexciting and conventional, yet displays enough wanderlust to join a ship’s crew. The other crewmembers are neither dashing nor daring, except perhaps Fay Schwatzendale, who compensates for his good looks with his cautious and skeptical manner.

Vance, himself, spent time on freighters. And while his freighters plied the seas, rather than the stars, Vance experienced his share of distant customs and vistas. He lived and wrote abroad with his wife during various periods. Some of the exotic customs which make their way into Vance’s fiction may be parodies of customs he encountered abroad. In his autobiography, Vance describes of a port in Chile where the strict enforcement of laws parallels their enforcement on one of Lurulu’s worlds. In many of his novels, Vance tells the story through a single perspective. Here he employs the perspectives of multiple characters of varying ages. These are books to be sipped rather than gulped.

The two women who play important parts in these books include Myron’s great aunt and the captain’s mother. Aunt Hester is depicted as vindictive and vain, while the captain’s mother is frivolous, vain, and senile. Both refuse to let go of their youth, and one wonders if they may have been modeled after some of Vance’s contemporary female acquaintances.  Another elderly character, Moncrief, is a showman who manages to muster enough of youth’s second wind to hold his troupe together.  Unlike the captain’s mother, or Aunt Hestor, Moncrief demonstrates the possibility of aging with dignity.